Located on either side of the main entrance to the college, the installation is unified by a background painted in intense shades of blue. Toward the cafeteria, two large wood veneer panels fan out, a
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The massive sculpture, which hangs from the atrium ceiling of the University of Calgary's Scurfield Hall, is made from 29,064 laser-cut letters "x" in stainless steel. The total number of metallic "x"
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The artwork consists of a sculptural installation with one part located inside the building and another part, outside.Inside, a large white panel is installed on a black painted wall. It creates a t
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This installation was inspired by the forestry vocation of the village, as well as the secular tradition of planting a tree decorated with ribbons in front of the door of a person we wish to honour or
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The work is shaped like a sundial. A pink granite monolith featuring an engraved sentence is installed in the middle of a public place. An angled pole is held by a stem (the projected shadow follows t
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Neon letters welcome passengers as they wait for their luggage. From the chaos of the jumbled letters, words emerge. America, Europa, Asia, Oceania, Africa. As the harmony between the letters that com
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The Wreck:Fascinated by the mysterious wreck of the Lady Era, which washed up on the shores of Port-Cartier over 20 years ago, the artist made it the focal point of this work. Thus, a steel silhouette
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A bronze table is installed in the indoor garden. Small amounts of colours have been sprinkled onto it. Under each colour, a verb in the infinitive is engraved directly into the tabletop. A wall near
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Bridge, Abridged consists of several components which focus attention on the cutting-edge engineering and materials used in the pedestrian overpass structure. Adam Kuby integrates words and manipulate
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A sculpture in the shape of roofs with little bronze birds. Text is written on the glass of the dormer windows, as if someone had scribbled something with their finger on the frosty glass.
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The artwork is located at the apex of the library's main traffic area. It reveals a dandelion head on which was superimposed a reconstituted map of old Charlesbourg in different eras.The number 21 (fo
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This on-site intervention is linked to the space it occupies, both in its physical and symbolic dimensions. More specifically, this link is manifest in the use of materials, which recall those used in
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